From dialogue to music, the sounds you hear in movies are multilayered. More often than not, these sounds are brought together in postproduction to create an immersive aural experience that requires a ...
Supervising sound editor Don Sylvester and sound mixer David Giammarco walk us through their sound mixing process for Best Sound Editing Academy Award nominee ‘Ford v Ferrari.’ By taking a look at ...
IndieWire Editor-at-Large Anne Thompson, Crafts Editor Bill Desowitz, and Toolkit Editor Chris O'Falt gather to discuss the year's best in sound contenders. Sound and music are integral to several ...
Sound design is woefully underappreciated, but the Academy's new Best Sound category is a better reflection of the craft in the digital age. Let’s get this out of the way: Great films tell stories ...
A category shakeup at the Oscars may be around the corner, as a subcommittee of the Academy of Motion Picture Arts and Sciences' sound branch is "favoring" a consolidation of the sound mixing and ...
SOUND EDITING: Gwendolyn Yates Whittle points to the scene where Jake Sully connects to the Tree of Voices. “We sound designed some whispery voices that wafted in,” she explains. “Then very gradually ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results