Edvard Munch at the Courtauld shows the artist’s ... His reliably tortured relationships with women are largely avoided here, though his lithograph The Brooch, 1902, a portrait of the violinist ...

Ideas about what the world is made of — its constituent elements — were running riot when Edvard ... women’s hair and women’s bodies in waves.” Rocks, too, were as alive to Munch as ...

his depictions of women outside of his family tend to fixate on themes of sexual allure and fertility; in the words of scholar Kristie Jayne in her article “The Cultural Roots of Edvard Munch ...

Edvard Munch is best known for The Scream ... and some depictions of women that emphasize feminine beauty (like The Brooch, a 1903 painting of the British violinist Eva Mudocci, who became ...

Unfortunately, almost everyone has resonated at some time or other with Edvard Munch ... during Munch’s Symbolist phase, he tended to portray women as either positive or negative archetypes.

On the forested slopes above the Norwegian capital is a railed path whose sunset view inspired Edvard ... amid women's emancipation, fueled anxious motifs in Munch's The Frieze of Life series ...

The exhibition’s penultimate room was full of paintings of vampiric women and broken relationships, works that showed Munch’s anxieties, his jealousies, his self-loathing and attempts at self ...

For the Norwegian painter Edvard Munch, who arrived three decades ... of people reading and women knitting,” Munch wrote in his diary. “There should be pictures of real people who breathed ...

In 1901, Edvard Munch’s “Two Human Beings (The Lonely Ones),” a chillingly enigmatic 1892 painting of a man and woman — Husband and wife? Lovers? Complete strangers? — poised on a rocky ...

At his death, in 1944, Edvard Munch left hundreds of artworks to the city of Oslo—enough to fill a dedicated museum and then some. Because Munch had sold well during his long career, plenty more ...