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Ewan Mitchell discusses Aemond's loyalty and ... I need a talkin’-to to Vhagar. SABAN: A tap on the nose. MITCHELL: Yes, be like, “Bad girl.” Yeah, I think he should. He needs to control ...
played by English actor Ewan Mitchell. With this eye patch, enormous dragon and complete disregard for human life, Aemond is a total menace, but thanks to Mitchell’s searing performance ...
Ewan Mitchell discusses his decision to do a full-frontal scene in 'House of the Dragon'. Director Geeta Vasant Patel commends his dedication to the role. Fans react with surprise and humor on ...
did not hold back!), and it was a moment that was extremely mulled over by both actor Ewan Mitchell and director Geeta Vasant Patel. During a convo with Vulture, Mitchell explained, "Scenes like ...
But as the forest leaves rustle, Aemond’s (Ewan Mitchell) dragon Vhagar — the largest of the Targaryen brood — awakes. A battle ensues. Audiences see Vhagar’s enormous teeth fatally crunch ...
Is ruling the realm what he expected? Ewan Mitchell: He's probably got a little more than he bargained for. I think he's starting to feel the weight of that crown on his head. In Episode 7 ...
We caught up with actor Ewan Mitchell to talk about Aemond’s possible motivations, the dark omen over his House of the Dragon future, his love for Vhagar, and much more. Nerdist: In season two ...
Ewan Mitchell believes there’s one thing that Aemond simply cannot lose, and that’s his loyal dragon Vhagar. “Vhagar was very much his first friend,” Mitchell tells us in a recent interview.
When there's a major dragon battle to be fought in HBO's "House of the Dragon," you can bet that eye patch-wearing Prince Aemond (Ewan Mitchell) and his scaly steed Vhagar are in the mix.
By Christopher Kuo Like most people, Ewan Mitchell is accustomed to anonymity. So during a recent trip to Manhattan, he was surprised by what a hotel doorman asked when he arrived: “You haven ...
Is he just seeking bloodshed, or does he want something else? Ewan Mitchell: That’s a good question. I think it could be a multitude of things. I think that’s the beauty of Aemond’s ambiguity.
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