There's no denying that this film is visually pleasing, as viewers drool over its "pastel-color" scenes and extravagant costumes, all set against the backdrop of the grand Palace of Versailles.

Watching the scene even now well into my 30s, this jaded critic cannot be unaffected by a sequence which invites a level of visceral sorrow and anguish that’s virtually alien to modern family films.

The end of “Call of Duty: Modern Warfare II” sets up the return of longtime franchise villain Makarov and references the notorious No Russian mission.

It was a beautiful scene between the two of them and a culmination to their relationship. And you could see how much he changed, but then we get it all in the plane scene, so we didn't need it ...