"Boop!" makes a fresh star of the classic cartoon, while "Smash" banks on the rhythms of background television.

Betty Boop has tumbled out of her black-and-white cartoon world into moden-day New York City with all its vibrant sights and ...

Whitney Houston, Celine Dion and ... Betty Boop. How David Foster went from recording studios to the Broadway musical stage.

Performances in N.Y.C. From her 1930 debut as a poodle-human hybrid to a modern-day symbol of empowerment, Betty Boop has had an unusual ... by pointing out that a Black singer, Esther Lee Jones ...

“Boop! The Musical” — now playing ... The premise, though silly, is the least of it: Betty, a quasi-human cartoon in a black-and-white world, stars in animated Fleischer Studios shorts.

So far this season, Broadway has done a pretty good job of providing it with musicals like the hilarious Death Becomes ...

Two hours and 30 minutes, with one intermission. At the Broadhurst Theatre, 235 West 44th Street. She may be playing a two-dimensional character, but she’s one he ck of a triple threat.

In a season saturated by on-stage screens and projections, Boop! has by far the most inventive use of them, taking the black-and-white color scheme of Betty’s old cartoons (which projections ...

Who’s Betty Boop? Beyond the iconography you might have ... the ensemble flips around in costumes that are half color, half black-and-white. If her character remains obscure, at least Rogers ...

The Musical" is a blissful, toe-tapping spectacle that imagines if Betty Boop (Jasmine Amy Rogers) left her black-and-white animated world for the colorful chaos of modern-day Manhattan.