Succession writer Jonathan Glatzer explains how he came up with the premise of his new AMC series, The Audacity.

Simon Helberg trades the International Space Station for Silicon Valley on AMC's The Audacity.

AMC‘s new sharp, satirical tech-industry drama, The Audacity, has arrived! And with Jonathan Glatzer (Succession, Bad Sisters, Better Call Saul) running the show, a stacked cast, and a “Stream It” ...

Writer and showrunner Jonathan Glatzer (Succession, Bad Sisters, Better Call Saul) is back with a brand new AMC series, The Audacity, and fans of Silicon Valley drama and satirical billionaire ...

The Audacity, whose premiere Sunday is a significant event for AMC Global Media, is getting a full-tilt promotional push and a novel rollout on TikTok and Samsung smart TVs. Executive produced by ...

The Audacity is filled with absolutely awful people, with each character worse than the one who came before. For some, that could make Jonathan Glatzer's new AMC series difficult to watch. The ...

Felder is also trading stocks on insider information gleaned from her clients — which Duncan discovers, because his latest ...

Since HBO’s “Silicon Valley” ended in 2019, TV has been without a timely tech industry satire, even as tech became an ever-more-dominant force in everyone’s lives and an even richer target for ...

Created by 'Succession' and 'Better Call Saul' alum Jonathan Glatzer, the dark comedy chronicles the crisscrossing paths of a flailing tech CEO, a greedy therapist and a retired pioneer of the ...

In the scabrous new Silicon Valley satire “The Audacity,” an unhinged tech entrepreneur played by Billy Magnussen is told by a psychiatrist that he has empathy. The diagnosis infuriates him. Empathy?

For a show about men — and some women, but mostly men — working to build the future, “The Audacity” feels a little old-fashioned. That’s mostly a good thing: This ambitious, sprawling, talky satire ...

Once upon a time, Hollywood’s favorite target for satirization and ridicule seemed to be … Hollywood. Robert Altman’s nearly prophetic “The Player,” 1974’s caustic “The Day of the Locust” and, of ...