Film noir is filled with great lines, and certain quotes from movies like Chinatown and The Big Sleep completely define what ...

Strangers on a Train, Double Indemnity, and Sunset Boulevard are all among the greatest, most entertaining film noir movies ever.

75th anniversary screening of auteur Nicholas Ray’s psychological thriller of murder love and suspicion in Hollywood, in 4K restoration! Humphrey Bogart delivers what many consider his finest ...

Just as riveting is Nicholas Ray’s “In A Lonely Place” (1950), a love story masquerading as a film noir. There’s murder, moral ambiguity, and sharp dialogue afoot in the story of has-been screenwriter ...

See “In a Lonely Place” (1950), directed by Nicholas Ray, on Sunday, May 18. “The emotionally charged ‘In a Lonely Place’ is a brilliant, turbulent mix of suspenseful noir and ...

He made great films while married to her, with his turns in The Caine Mutiny and In a Lonely Place testaments to his range, subtlety and courage as an actor. There are some good clips here ...

Humphrey Bogart and Lauren Bacall’s son on his parents: ... is In a Lonely Place. Nicholas Ray’s 1950s noir cast him as a screenwriter who is accused of murdering a hat-check girl.

Humphrey Bogart will forever be remembered as the irascible nightclub owner with a heart of gold who said, “Here’s looking at you, ... In a Lonely Place (Nicholas Ray, 1950) Bogart’s greatest role is ...

Humphrey Bogart and Gloria Graeme on the set of "In a Lonely Place" (Freestyle Digital Media) The film defines Bogart’s life and career through the women in his life, his mother and wives. Did ...

In a Lonely Place is a 1950 American Film Noir directed by Nicholas Ray and starring Humphrey Bogart, Gloria Grahame and Frank Lovejoy, produced for Bogart's Santana Productions. The script was ...

'Bogart: Life Comes in Flashes' director Kathryn Ferguson and Humphrey Bogart's son tell IndieWire about their new documentary on the film icon. ... (See “In a Lonely Place ...

She suggested that the reason Bogart could bring such complexity to Dixon Steele, the violent-tempered screenwriter he played in Nicholas Ray’s “In a Lonely Place” (1950), was because of how ...