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Disastrous as Star Trek Into Darkness was, Kurtzman carried those ideals into his tenure as franchise head. For all of its wonderful weirdness, Star Trek: Discovery also really leaned into being ...
None of this is to say the USS Defiant would have 'fixed' Star Trek: Section 31's issues, but a Constitution Class starship ...
Incredibly, Star Trek: Section 31's Fuzz vs. Alok Sahar fight is a twisted remake of Spock vs. Khan in Star Trek Into ...
In the end, “Star Trek: Section 31” falls into an odd netherland between OK series episode and stand-alone feature, too big to pass as one thing, too frivolous to work as the other.
Along the way, Section 31 has been referenced multiple times in "Star Trek: Enterprise," "Star Trek Into Darkness," "Star Trek: Discovery," "Star Trek: Picard," and even the animated series, "Star ...
A woman sits in a bar. Not as a fugitive, not as an emperor, but as something in between. The war is over. Her mirror self is gone. Her place in this universe was never meant to exist.
Shortly thereafter, Into Darkness co-writer and producer Alex Kurtzman would become the guiding hand behind Star Trek’s relaunch on streaming television, and it wouldn’t be long before Section 31 ...
You may like 'The Best of Both Worlds' at 35: Why we're still assimilated by 'Star Trek''s greatest ever cliffhanger; Best streaming services for Sci-Fi fans in 2025: Disney Plus, Netflix, Hulu ...
Created by Ira Steven Behr and first introduced in a 1998 episode of “Star Trek: Deep Space Nine,” Section 31 was initially envisioned as a covert, morally grey, cloak-and-dagger branch of ...
In the end, “Star Trek: Section 31” falls into an odd netherland between OK series episode and stand-alone feature, too big to pass as one thing, too frivolous to work as the other.
It played an important role in Abrams’ second entry, Star Trek Into Darkness. Maybe the new film will explain how Section 31 went from open secret to galactic myth a century later.
In the galaxy of Gene Rodenberry’s 59-year-old “Star Trek” franchise, humanity enjoys an idyllic, utopian, primary-colored future in which a non-lethal phaser and a persuasive argument can ...