Various Artists, Serge Béguier, Gianni Bertini, Henri Chopin, François Dufrêne, Dora Feilane, Ian Hamilton Finlay, Paul-Armand Gette, John Giorno, Brion Gysin, Bernard Heidsieck, Alain Jouffroy, ...

In MoMA and UNIQLO’s Art for All video series, we explore an artist’s unique approach to capturing the world around them. In this episode, filmmaker John Wilson invites us into his world, where his ...

Discover how a uniquely modern American art form found a home at a uniquely modern American museum. Through original recordings, archival audio, and new interviews with jazz legends like Sonny Rollins ...

My wife, Tamara Shopsin, introduced me to the screenprints of Corita Kent, aka Sister Corita, who was an artist, teacher, and nun in Los Angeles from the 1930s until the late ’60s, when she left the ...

The Learning Tree. 1969. Gordon Parks I saw this film when I was 18 years old, and Gordon Parks was at that time one of my heroes. So to see a film about his childhood in Kansas was so riveting and ...

This year, MoMA’s Cisneros Institute embarked on a new research project: Bridging the Sacred: Spiritual Streams in Twentieth Century Latin American and Caribbean Art, 1920–1970. Artists and ...

Julián Sánchez González: José, when I first visited your collection in 2020, we spoke about the ways in which your artwork and collecting are intertwined. Tell us about this relationship and how your ...

Whether you are fighting extraterrestrial invaders, hungrily devouring pellets while avoiding ghosts, creating a new city from scratch, or taking on the Sisyphean task of climbing a mountain of rocks ...

María Magdalena Campos-Pons marshals myriad forms and experiences to evoke the many memories, intimacies, and subjectivities that make up the African Diaspora. A pillar of Cuban art since the 1980s, ...

Claes Oldenburg ’s audacious, witty, and profound depictions of everyday objects changed the way we understand and see art in the world. Beginning in 1962, his sculptures, prints, drawings, and ...

Afrique sur Seine (1955) was a film ahead of its time. Formally, it was a bridge between Italian Neorealism of the 1940s—a style of filmmaking that evoked the hardships of war, from impoverishment and ...

I grew up a hundred miles from the nearest art museum, in the infinite flatness of rural Kansas. A fifth-grade field trip brought the first opportunity to visit an art museum, where I found myself ...